Rachel Keller is a journalist and aunt of a teen who watches the film who wants to find out more. Jordan Peele’s directorial debut will go down in history as one of the most chilling horror films of all time. Jennifer Lawrence stars as a divorced mother looking for a fresh start.
A father in Plymouth made his son’s dream come true by having vicious slasher Jason Voorhees pick him up from school. Directed by Takashi Miike, Audition will leave you shocked, nauseous, and have you throwing your expectations about horror and gender out the window. Tonally few other films feel as well structured or thought out, as the horror is skillfully seeded throughout before hitting you at the end like a tonne of bricks. Ari Aster, https://www.wikipedia.org/ straight off the back of his success with Hereditary, hits it out of the park again with more creepy cults and shocking scenes. Midsommar follows a couple on the rocks going to Sweden with their friends, expecting a lively mid-summer festival but instead ending up entangled with a violent pagan cult. The season premieres on Sunday May 1st with The Invisible Man, in which Claude Rains delivers a remarkable performance in his screen debut.
Though despite this, the bizarre cinematic zeitgeist of the new millennium was for gore in extremity. James Wan’s Saw franchise rolled out seven films across the decade whilst the short-lived Hostel, inspired by new wave French extremity, was also proving popular. Though, it was once the horror genre had been slapped across the face by the financial success of The Blair Witch Project that there was no going back. Cropping out from the darkest corners of small-town America and cinema worldwide came replicas and rip-offs, some of which were great, most of which were almost unwatchable.
Keep up-to-date with the latest Fright Club news by joining the Facebook community here. A film sliced into very distinct parts, Ben Wheatley’s unpredictable Kill List manages to span multiple genres without feeling too busy. The film is in equal parts beautiful in its masterful cinematography, and shocking in its sacrificial imagery, Aster’s second film is shot almost exclusively in broad daylight, and is somehow all the more oppressive and brutal for it. It’s goes straight for your gut, rummages around inside inside your head, makes your chest get tight. Thing, that many people will tell you is very real and has nothing to do with secret skeleton-faced aliens.
Instead, horror is now a tool for Jordan Peele to make a statement about modern America in Get Out or by Jennifer Kent to speak of the burden of depression in 2014’s The Babadook. Her specialist topics include comic books, films, TV and feminism. On a weekend, you can usually find her drinking copious amounts of tea and playing boardgames https://www.factory-publishing.com/ with her friends. And, yeah, it’s every bit as unsettling as you remember, trust us. In deep space, the crew of the commercial starship Nostromo decide to investigate a distress call from an alien vessel. This is no ordinary sci-fi film, though, as their decision brings them into contact with a terrifying parasitic alien.