With a sickly grey colour pallet complete with a crumbling seaside town and the churning sea, Saint Maud is truly grim viewing and includes some stomach turning sights and sounds from start to end. While this one’s generally still as sharp as Freddy Krueger’s gardening shear fingertips, the morality is a little blunter , though it’s not a film which wants you to take it particularly seriously. As splenetically bloody as it is, A Nightmare on Elm Street has a great sense of humour too. Just as the veil between fantasy and reality is a thin one when formerly deceased creeper Freddy starts murdering teens in their dreams, the distinction between all-out horror and sly laughter is a murky one.
For more of a psychological thriller, The Invisible Man needs to go to the top of your list. It follows Cecilia Kass who flees her violent boyfriend Adrian, only to learn later on that he’s committed suicide, and left her a fortune. Even weirder things start to happen, which causes Celilia to wonder if she ever really escaped from him. Mixing the genres of war and horror to provide a strong political backbone, Babak Anvari’s directorial debut is a captivating Iranian horror film that is as much a critical analysis of the terror of war on innocent civilians. New technologies saw a horror ascension, giving many outside the studio system the chance to create and explore the genre without the need for large budgets and effects.
Nothing, of course, except a sharp knock at the door from a masked stranger in the middle of the night. Thus begins The Strangers, a brutal home invasion tale which is bound to amp up your paranoia levels. Because, yeah, when the scary stuff starts, it’s really bloody scary. Modern technology is always irresistible for the found footage genre and after the success of 2020’s lockdown Zoom hit, Host, there are even more horrors depicting life in a world of social media.
The film that shocked the world with a twist ending that went down in cinematic history, no best of horror list is complete without Alfred Hitchcock’s anxiety-inducing masterpiece Psycho. The film opens on a rainy night with a woman on the run who checks into the Bates Motel. Jordan Peele has established himself as one of the names to watch in modern horror, giving us some of the best-written stories of recent times, full of powerful social commentary. His passion for the genre is obvious, and his film, Us, is filled with everything horror fans latch onto and love.
Finally, we no longer have just one word and a mysterious poster to go on. The first trailer for Nope, Jordan Peele’s next directorial project, has arrived and it looks like things are going to get elevated. Well it looks https://www.factory-publishing.com/ like you introduce inescapable horror from the skies. Despite hinting at all kinds of terror from above, the trailer wisely never shows us whats up there, instead revealing only the terrified reactions from those below.
And there’s never been more ways to watch new horror movies as they land. While cinema releases are still the case for some movies, streaming services like Peacock and Shudder are racking up plenty of new scary movies. Shudder in particular is happily buying up festival favorites for essential home viewing. So whether you want to watch from home or in cinemas, here are the essential dates for your diary for the most exciting new horror movies of 2022.
“It would seem there’s always more stories to be told in Woodsboro and there is a taste for it,” she told Screenrant. If the sequel holds the record the amount of jump https://www.wikipedia.org/ scares in one movie, it makes sense the original has a few too – and it does, 26 to be exact. The Haunting In Connecticut is rated highly than its sequel too.
The story about a family dealing with grief in their own ways after the family matriarch dies gets to the dark heart of pain, both emotionally and physically. Whether it’s the snip of a dead bird’s neck or the deadly thunk in the film’s most horrifying moment, Hereditary is a true audio horror experience. It also features a powerhouse performance from Toni Collette, while Milly Shapiro turns lead girl Charlie into one of the genre’s most terrifying children. The film is a candid look at emotions, with an overarching theme of healing through trauma, albeit in a pretty messed up way. It’s a layered story that feels incredibly unique, and you may even go so far as calling it a morbid yet relatively positive horror film. Not many other movies can make you squirm, torture its characters, and show stomach-turning deaths while simultaneously making you feel strangely optimistic by the time the credits start to roll.